Marketplace

... Experimentamos vários de sus modelos de construcción y podemos afirmar que en todos ellos alcanza un nivel máximo de calidad ...

Duo Siqueira Lima
Translation of the quote:
“We have tried some of his models and can only emphasize that all the instruments belong in the top of their class.”

All the guitars that are listed on this website can be tried out in my cosy office in the city of Haag. They are all unique pieces in their own right. I am looking forward to your visit…

The models Santino and Elia are simple in designed and can be obtained at a starting price of EUR 3,500. For the basic models, I use tuners by Rubner and a matte lacquer finish. The Aline model is priced from EUR 5,400, has tuners by Nicoló Alessi, a high-gloss lacquer finish and a shellac coated soundboard.

Please contact me for more information on prices for the guitars listed below.

Crossover 1856

Welcher Gitarrist wünscht sich nicht ein Instrument, das über sämtliche stilistische Grenzen hinweg Verstärkungsmöglichkeiten bietet? Eine Gitarre, die den akustischen und dynamischen Anforderungen gerecht wird, und dabei auch unverstärkt klanglich absolut überzeugt! Wer dann noch Wert auf eine perfekte handwerkliche Verarbeitung legt und Freude an einem besonderen Design hat, wird zwangsläufig auf die "Crossover" von Daniel Zucali stoßen. Eine Gitarre, die zudem sehr gut in der Hand liegt und erstaunlich bequem zu spielen ist!

Johannes Monno
Model
Elia
Soundboard
Spruce
Back
Indian Rosewood
Lacquer
Matte
Tuners
Alessi
year of construction
2017
Scale
640mm
Neck (nut, 12th fret)
51mm / 61mm

 

Translation of Quote by Johannes Monno:

“What guitarist does not desire an instrument offering amplification possibilities beyond all stylistic boundaries? A guitar that satisfies all acoustic and dynamic requirements and even sounds convincing unamplified! Those who also value perfect craftsmanship and enjoy a special design will inevitably come across the “Crossover” by Daniel Zucali. A guitar, comfortable in your hand and surprisingly easy to play!"

 

This instrument is almost identical to my first Crossover 53/17. It is fitted with a curved fretboard, a bevelled armrest, a maintenance opening and two sound pickup systems.
The maintenance opening makes it particularly easy to carry out any repairs and service work.

Instead of the Miniflex 7 I chose the Lyric from L.R.Baggs. On the one hand the Lyric needs no phantom power, on the other hand this system is very well suited for musicians who do a lot of body percussion. The second pickup system is a SH 4020 from Shadow. This provides three channels (1. the microphone, 2. bass strings, 3. treble strings) and countless possibilities! However, these endless possibilities also require a certain professionalism when mixing the three signals.

Crossover 1857

Als FOH/Monitor Techniker in der Beschallung ist die Signalgüte am Mikofoneingang von entscheidener Bedeutung. Die auf einer Tournee von Michael "Kosho" Koschorreck gespielte Crossover Gitarre scheint diesen Grundsatz zu hundert Prozent einzuhalten. Die eingebauten Miniflex Mikrofone und der Shadow Tonabnehmer bilden das Instrument sehr natürlich, bis in die tiefsten Frequenzen, ab. Diese hohe Signalgüte, gepaart mit einer nicht gekannten Rückkopplungssicherheit, ist einzigartig!

Ansgar Friemel, FOH Techniker u.a. bei Revolverheld, Gregor Meyle, Henning Wehland, Pohlmann uvm.
Model
Elia
Soundboard
Spruce
Back
Indian Rosewood
Lacquer
Matte
Tuners
Alessi
year of construction
2017
Scale
640mm
Neck (nut, 12th fret)
51mm / 61mm

 

Translation of Quote by Ansgar Friemel:

"As FOH/Monitor technician; in sound reinforcement the signal quality at the microphone input is of decisive importance.
The Crossover played on a tour by Michael "Kosho" Koschorreck seems to fulfill this principle one hundred percent. The built-in Miniflex microphones and the Shadow pickup reproduce the instrument very naturally, down to the lowest frequencies. This high signal quality, paired with an unknown feedback security, is unique!"

This Instrument has a curved fretboard, a bevelled armrest, a maintenance opening and two sound pickup systems. The maintenance opening makes it particularly easy to carry out any repairs and for instance supports, for instance in the precise positioning of the two high-quality microphones (Miniflex7). The second pickup system is a SH 4020 by Shadow. This means you have three channels (1. both microphones, 2. bass strings, 3. treble strings) and endless possibilities! However, these countless possibilities also require a certain professionalism when mixing the three signals.

Aline 52/17

Model
Aline
Soundboard
Spruce lattice
Back
Olive
Lacquer
High gloss, Soundboard shellac
Tuners
Scheller
year of construction
2017
Neck (nut, 12th fret)
52mm / 62mm

Aline 42/14

Model
Aline
Soundboard
Cedar lattice
Back
Palo Escrito
Shape
Elia small
Lacquer
High gloss, Soundboard shellac
Tuners
Alessi
year of construction
2014
Scale
630mm
Neck (nut, 12th fret)
52mm / 62mm

Aline 02/09 left-handed

Model
Aline
Soundboard
Spruce
Back
Indian Rosewood
Lacquer
High gloss, Soundboard shellac
Tuners
Alessi
year of construction
2010
Scale
650mm
Neck (nut, 12th fret)
52mm / 62mm

Santino 10-String 48/16

Model
Santino
Soundboard
Spruce
Back
Tiger maple (one-piece back)
Lacquer
High gloss, Soundboard shellac
Tuners
Alessi
year of construction
2016
Scale
Fanned frets 630mm / 660mm
Neck (nut, 12th fret)
83,6mm / 100,6mm
Number of strings
10
Tuning
e’ b g d A E D C G B

With 10 strings there are several ways to increase the range. Usually, a 10-String guitar is equipped with four extra bass strings to be tuned down in semitones. However, I also had a client who wanted to have them tuned in thirds.
7th string C, 8th string A, 9th string F, 10th string D.

World-famous guitarist Narciso Yepes also opted for a low C on the 7th string. But he tuned the 8th string slightly higher to an A♯, the 9th string to a G♯ and the 10th string on a F♯.

Terz Klassik 21/11

Model
Terz klassik
Soundboard
Spruce
Back
Chequers tree
year of construction
2011
Scale
560mm
Neck (nut, 12th fret)
50mm / 60mm
Tuning
g’ d’ b♭ f c G

13-string contra guitar

Model
contra guitar
Soundboard
spruce
Back
maple
Lacquer
french polish
Tuners
Wittner
year of construction
~1935
Number of strings
13
Tuning
e’ b g d A E
chromatically tuned bass strings

This 13-string contra guitar, was compleatly serviced and restored by Michael Eipeldauer. Among other things the shellac was re-polished and the wooden pegs were replaced with Wittner plug vertebrae mechanics which allow a fine and stepless tuning.

Incl. soft case, reserve bass strings and guitar stand.